Byron Asher (US) 
November 2025
A saxophonist, clarinetist, and composer from New Orleans, he focused on both improvised and composed music inspired by classic jazz. During his residency, he performed at Punctum Krásovka with local artists, including Annabelle Plum and Ian Mikyska, and launched the album Filks Songs from Imaginary Places.
Rathin Kajni (IN) 
October 2025
The modern world is characterized by advancements in science, technology, and social systems, but also
by significant issues such as environmental degradation, conflict, and poverty. The idea of space is
changing to tackle ecological problems, highlighting the role of urban environments in promoting ecological
harmony between people and nature.
Rathin Kanji, a Kolkata-based Indian artist, was born in 1970. His work reflects the impact of modern media
on mass communication. He strategically incorporates consumer objects like photographs, newspapers,
and videos to highlight the influence of multinational companies and globalization on society. Kanji pursued
his post-graduation in painting at Visva Bharati University, India. He was a Fulbright Visiting Research
Fellow at the School of Art & Design (Penny W. Stamps School of Art & Design), University of Michigan,
USA in 2004.
Kanji is a recipient of prestigious fellowships including a Fulbright Fellowship (2003-2004) in the USA, a
Vermont Residency Fellowship, USA in 2004, and a Junior Research Fellowship (1998-2000) from the
Government of India. His large installation work was a part of the ‘Installation & New Media’ project of CIMA
Art Gallery, Kolkata. He has held solo shows at Warren Robbins Gallery, Ann Arbor, Michigan; Gallery
Threshold in New Delhi; Gallery Sumukha in Bangalore; Holiday Inn, Bangkok; Ruse Art Gallery in
Bulgaria; and Aicon Contemporary in Palo Alto, California and in New York.
He has exhibited his works in international Art Fairs like Art Basel in Miami, Hong Kong, Dubai, Rome,
Adana, Thessaloniki, Paris, and New York. Kanji has collaborated with artists worldwide through Artist
Residency programs in the USA, Romania, Greece, Spain, Italy, Hungary, and Poland. His paintings have
been auctioned at Sotheby’s New York and Christie’s London. ‘The Times’ London featured an interview
with him in 2007. His catalogues are archived in ‘National Library of Australia’ and ‘Library of Congress’ in
Washington DC, USA.
Rathin Kanji’s paintings are in the collections of the Museum of Art (UMMA) in Michigan, USA; Kozani
Museum of Arts in Kozani, Greece; the Museum of Bengal Modern Art in Kolkata, Benson & Hedges, ITC in
Kolkata; TATA; RPG Group in India; Southern Bank Berhad in Singapore, and Bank of America in London.
www.rathinkanji.com , www.rathinkanji.net
Nienke Fransen (BE) 
August / September 2025
While traveling recently, Nienke came across a curious billboard (pictured above, on the left). Humorous at first glance, it immediately reminded her of a book she had found not long before in a secondhand bookshop in Brussels.
That book opens with the observation that, until the last century, hatred toward wolves was deeply rooted in collective memory. Its publication date is 1991. By the end of the 1990s, wolves had returned to the Czech Republic after more than a hundred years. In 2016, they reappeared in Belgium—alongside humanity’s complex, millennia-old relationship with them.
She is fascinated by the way fear of the wolf is embedded in shared cultural narratives. The wolf—once a villain, now perhaps an underdog—continues to shape childhood stories and remains present in the media consumed by adults. In internet culture, for example, the figure of the Alpha wolf is both comedic and oddly sincere.
During her residency at NEIRO, she seeks to explore the metaphor of the wolf through the creation of a short video piece, using the audiovisual resources available. Her video practice often involves green screen techniques and singing characters. The project may either place the wolf directly within the Czech landscape (where it has naturally returned), or situate it in a more abstract, fictional world.
Her intention is not necessarily to recreate recognizable fears, but rather to express the wide range of emotions the wolf provokes—filtered through a playful lens of humor, costume, and fantasy. While the final visual form is still in development, she has prepared a small mood board on the next page, drawing inspiration from the aesthetics of a talk-show set.
Adrienne Roma Sacks (US) 
August 2025
Adrienne Roma Sacks is a multidisciplinary artist living in Cambridge, Massachusetts, USA.
Her visual art background is in experimental approaches to painting materials. Currently, her focus is on transforming walls of post-industrial exteriors and institutional interiors into sites of beauty. She is currently pursuing a Master of Social Work from Simmons University, where she was awarded a McGrath Global & Intercultural Research Grant to pursue her work at The Fish Factory, a two-pronged project that included recorded interviews and an exterior mural on the face of the factory.
Laura Hyunhjee Kim (US) 
July 2025
Korean-American multimedia artist who creates post-disciplinary performances to reimagine human and nonhuman interaction through embodied ways of knowing. Her multimodal projects span video art, performance, installation, digital art, new media, and writing. Kim is an Assistant Professor of Visual and Performing Arts at The University of Texas at Dallas. She lives and works in the company of neighboring songbirds, squirrels, coyotes, and wild rabbits in Richardson, Texas. (lauraonsale.com)
Overview
My time at NEIRO was a mix of studio practice, endless walking, and sightseeing. It was my first time visiting Prague, and I indulged in the overall sensation of newness and exhilaration that came with being immersed in a culturally and historically rich city. As a performance-based artist, my body is my instrument, and so any exposure to a new environment, new sensorial experiences stimulates my creative instincts. Divoká Šárka, Národní Muzeum, Národní Galerie, and the gargoyles at Pražský hrad were particularly inspiring, provoking my daydreams, leaving me with numerous notes to look back on. Given the short time period, I was able to experiment in the studio, mostly taking notes and making sketches for a future large-scale world-building project I started to devise during my residency, tentatively titled Village of Four Winds. The work is still at its seedling stage, but I have attached some costume ideas and stills from my experiments.
Scott Maracle (SG) 
September 2024
He is a member of the Mohawk Nation of the Haudenosaunee Confederacy, living in the Tyendinaga Mohawk Territory in Ontario, Canada. His journey into photography began many years ago, originally as a part-time hobby. He studied at the New York Institute of Photography and the Institute of Photography in London.
In 2017, he suffered a stroke that changed the course of his life. He turned to photography as a way to cope with his new life. He now uses photography daily as a tool to help his memory.
His work focuses primarily on four main themes: nature, Indigenous imagery, the human touch, and faith.
During his residency at Neiro, Scott collected material for his upcoming exhibition.
Aarti Pillai (SG)
July-August 2024 
Aarti Meyappan Pillai (b. 2000, Singapore) is an artist and researcher working in sculptural installation, sound and new media. Her works are an invitation to intuit viscerally and occupy a space of curious tactility: drawn from memories of braiding grass, weaving fallen leaves, tracing patterns in sand, and playing amidst sea-foam.
At the core of her practice is the principle of ramuan emphasising ecological reciprocity, care, and radical abundance, which involves a harmonious blend of natural elements and human effort. Aarti’s practice threads connections to nature, the ocean, the preservation of oral histories, femininity, and queerness as she is deeply influenced by her ancestral migration to the Malayan Archipelago. Her artistic works construct a liminal utopia where dreams and memory meld, drawing the viewer into a textured sensory experience as she seeks to address questions of origin and ecological kinship through emphasising the restoration of pre colonial folklore in her works. Pillai concluded her residency with an exhibition in Zhoř near Krakovec castle and a public presentation of her work and a new mini-series, in which she explored the folkloric connections between Czech and Malayan culture.
Sarmen Almond (MX)
June 2024 
Mexican musician and voice performer. Intermedia artist and voice teacher trained on the Roy Hart tradition. Master of Sound Arts (Queen’s University Belfast). She’s been awarded SNCA (National System of Creators 2022-24) MX
Sarmen uses the voice and its relationship with electronic media to create compositions and decomposition of the personality on stage. She’s constantly chasing a quest of the infinite vocal possibilities that the human body utters as instrument as well as the reflection of these sounds in physical and imaginary spaces. Almond makes use of resources of free improvisation, extended vocal techniques, programming and body work.
She has performed in Mexico, Aberdeen, London, Belfast, France, Seville, Edinburgh, Prague, Manchester, Falmouth, Sheffield, The Hague, Utrecht, York, Barcelona, Madrid, Singapore, Canada, Vienna, among others. * Alquimia Vocal: Voice Pedagogy – Triggers * Man In Motion: Downtempo electronic music duo.
During her residency, Sarmen led a voice workshop and had a public performance with her downtempo electronic project.
Kate Boultbee (AU) 
June 2024
Kate Boultbee is a self-taught artist hailing from a farming background in rural Western Australia. She employs art as a means to encapsulate the often overlooked simplicity and beauty of her surroundings through intricately detailed acrylic paintings. During her residency, Kate sets her sights on crafting a painting series that offers her unique perspective on the culture and way of life in Prague.
Aleksandra Jarosz Laszlo (PL) 
May 2024
Aleksandra Jarosz Laszlo is an artist of Polish origin currently living in Sweden. Aleksandra is an established artist whose works are represented in several collections of Swedish museums. She is also the artistic director of Konsthallen MEKEN gallery and a graduate of Byam Shaw at Central Saint Martins, London and Konstfack University College of Arts, Crafts and Design, Stockholm. During her residency in Prague, Alexandra made contacts with local artist and invited them to collaborate with Konsthallen MEKEN Gallery.
Byron Asher (US) 
November 2023
A saxophonist, clarinetist and composer based in New Orleans, dedicated to exploring new possibilities for improvised and composed music, often based on classical jazz. His range extends from the “free-jazz party band” Basher, to the ensemble Skrontch Music, which reflects on early 20th century New Orleans jazz in the context of Jim Crow discrimination laws, to a more abstract collaboration with the drummer Brad Webb.
The culmination of Asher’s residency was a performance at Punctum Krásovka, where he performed on November 8, 2024 at 8 p.m. alongside local artists Annabelle Plum, Žaneta Vítová, Katya Vackova, Martin Debricka, Jakub Švejnar, and Mark Kimei Matvia.
Ravi Kittappa (US) 
September 2023
Ravi Kittappa is a composer currently living in Portland, OR. The New York Times described the “vivid soundscapes” of a recent performance of his work, Decantations III, as “alluring” and “meditative”. Ravi has been commissioned and premiered by Color Field Ensemble, Ensemble Dal Niente, ECO Ensemble, Quince Contemporary Vocal Ensemble, percussionist Owen Weaver, and Talea Ensemble among others. He has been honored to be selected as a participant at international festivals like Ostrava Days, Bowling Green New Music Festival, MATA Festival, and the Bang on a Can Summer Institute.
In Spring 2012, Ravi founded the NYC/SF/LA new music series, Permutations, which he co-curates with pianist, Karl Larson.
Ravi studied philosophy at The Johns Hopkins University and music at Columbia University. He recently completed his Ph.D in music composition at University of California, Berkeley. For 2018-2019, Ravi was a visiting composer at The Academy of Performing Arts, Prague (HAMU) through the J. William Fulbright Commission. Ravi is a faculty member in Music and Sonic Arts at Portland Community College.
Kittapp’s residency in Neir culminated in a performance at the Echofluxx festival, where, following an international call, the Prague Modern Ensemble presented new works by Christopher Fry (US), Lucie Vítková (CZ), Ravi Kittappa (US), Brigid Burke (AU), Sami Seif (Lebanon), Jakub Rataj (CZ), Patrik Kaka (CZ) and Fernanda Aoki Navarro (US). Solo performances for electronics were presented by Ramin Ahkavijou (Iran – USA), Brigid Burke and Michal Novenko (CZ). The seven-member Prague ensemble Orchestr Opening Performance performed Four Walls Full of Sound, dedicated to Phil Nioblock.
Alanna Baxter (AU)
August 2023
Alanna Baxter is a young Australian artist. She holds a Bachelor’s degree of Visual Arts from RMIT University in Melbourne.
The highlight of Alanna’s residency at Neiro is a solo show featuring her drawings and a painting at a pop-up exhibition space Neiro Mustek.
Moksha Richards (AU)
August 2023
Moksha Richards is a young Australian artist, who holds a bachelors degree in fine arts from RMIT University in Melbourne.
Her residency at Neiro will include an open studio in the new pop-up exhibition space Neiro Můstek, where she will present her drawings with visual influences from Prague architecture, logos and semiotics.
Kinya Sogawa (JP)
June 2023
Kinya Sogawa is a shakuhachi player and maker whose playing bridges worlds of traditional and contemporary music. He creates his own instruments and his unique sound speaks to international audiences through concerts and famous Hollywood productions. His deep understanding of the instrument makes the shakuhachi and its music accessible to audiences of all ages. He studied shakuhachi performance with Katsuya Yokoyama who premiered Toru Takemitsu’s seminal work November Steps. Sogawa studied shakuhachi making with the legendary Chikuzen Tamai, the father of the modern shakuhachi.
Kinya Sogawa will lead a three day shakuhachi making workshop during his residency at Neiro.
John Kaizan Neptune (US)
June 2023
John Kaizan Neptune is a shakuhachi master player and a master maker based in Chiba, Japan. John Kaizan’s analytical approach to shaping the bore has enabled him to fine-tune individual notes across the three octaves range, thus creating a well balanced, precisely tuned instruments with projection comparable to western classical instruments. In recent years, he has expanded his understanding to also produce extraordinary jinashi shakuhachi.
As part of his residency, John will lead an intensive shakuhachi making workshop to showcase his unique production and playing techniques, as well as perform at ISFP 23.
Margaret Leonard (US)
March 2023
American artist Margaret Leonard at Studio NEIRO.
Margaret Leonard paints since 1976. She graduated from Main College of Art & Design. Her current work reflects her deep sense of disgust towards the present political situation in the USA.
Open Studio Margaret Leonard is part of her art residence in NEIRO Association for Expanding Arts z.s.
Monique van der Wal (NL)
October 2022 
Monique van der Wal is one of the young artists working with new media. Her prints, videos and installations combine a retrofuturist aesthetic with an engaged mission. Van der Wal studied illustration at the University of Utrecht and is currently studying in Gothenburg, Sweden.
The highlight of the artist residency was the online installation OMNI INN, which took place at AXA Palace.
The exhibition opened on 6 October 2022, accompanied by the female free-jazz duo Annabelle Plum & Žaneta Vítová.
Chikako Goto (JP)
September 2022 
Chikako Goto (65) lives in Yufuin, Oita Prefecture. She studied at Goldsmith College in England and the Byam Shaw School of Art. She has long been involved in the intersection of the visual arts of European classical music, Japanese music and theatre. Britton-inspired War Requiem is a successful series and performance that has been presented internationally in galleries in Germany, Russia and Japan.
Japanese artist Chikako Goto visited Prague as part of the NEIRO artist residency, will create works from The War Requiem series in front of the audience. The War Requiem is an art performance inspired by Benjamin Britten’s composition of the same name. The artist paints Japanese ink paintings reminiscent of the legendary Zenga circles, reflecting the state of mind of their creator. Her aim is to constantly remind us of the reality of war. “I always stop before creating each painting, close my eyes and think of nothing. Now. Now is war.”
Hiroya Miura (JP)
August 2022 
A native of Sendai, Japan, he has worked as a composer and performer in North America. Hailed by Allan Kozinn of the New York Times as “acidic and tactile,” Miura’s compositions explore the “constantly shifting balance” between traditions, players, instruments, and sound objects. For the 2019-20 season, Miura composed the micro-opera Sharaku Unframed for shamisen player Hidejiro Honjoh and San Francisco’s Left Coast Chamber Ensemble and Galactic Monarchs, and music for a shakuhachi concerto for John Kaizan Neptune and Prague’s BERG Orchestra. He has been awarded the Rockefeller Foundation Bellagio Center Arts and Literary Arts Residency, la Napoule Art Foundation Residency, HB Studio Residency, and Willapa Bay AiR Residency, among others.
During his residency at Neiro, Miura continued his composition studies for shakuhachi, shamisen, and extended voice techniques. Currently, Miura is completing an opera based on the story of Milena Jesenska and Franz Kafka. This opera is expected to be finished next year and has scheduled premieres in New York, Tokyo and the Czech Republic. Neiro has facilitated meetings with the opera’s vocalist Annabelle Plum, other local composers and musicians involved in the project.
Byron Asher (US)
August 2022
A saxophonist, clarinetist and composer based in New Orleans, he is dedicated to exploring new possibilities for improvised and composed music, often based on classical jazz. His range extends from the “free-jazz party band” Basher, to the ensemble Skrontch Music, which reflects on early 20th century New Orleans jazz in the context of Jim Crow discrimination laws, to a more abstract collaboration with drummer Brad Webb. In all cases, Asher manages compositions that are both coherent and genuinely fresh.
The highlight of Asher’s residency was a performance at Punctum Krásovka, where he performed alongside local artists – singer Annabelle Plum and the Stratocluster ensemble.
Tassos Tataroglou (GR)
July 2022 
Tassos Tataroglou, Greek multi-instrumentalist (trumpet, shakuhachi, voice, guitar), creates original contemporary and improvised music. He has created a unique instrument, the duplex microtonal trumpet, for which he creates distinctive, sensitive and multi-layered musical environments drawing on the aesthetics of live electronics, jazz and field recordings. Tassos Tataroglou has lived in Basel, Switzerland since 2013, and is a member of the Unorthodox Jukebox Kollektiv, Insub Meta Orchestra and Incounterpoint vol.1. He studied music theory, voice and trumpet in Athens and Thessaloniki, and free improvisation and conducting at the Basel Music Academy.
Tassos Tataroglou performed at a concert at the Punctum club in Žižkov as part of his artistic residency at the NEIRO studio.
Scolari (PT)
December 2021
Their music is a floating conversation between the electronics of Silva and Pereira and Vicente’s trumpet; it is an open journey to a new music language creation based on the exploration of mutually shared binoms: noice / silence, abstract / specific a melodic / dissonant.
Scolari led by the legendary Luís Vicente recorded new compositions together with Annabelle Plum (voice) and Kimei Matvija (shakuhachi). The formation presented their music in a concert at Prague club Punctum.
Naoko Kikuchi (JP) 
November 2021
The world virtuoso on Japanese koto graduated from NHK School of Performing Traditional Japanese Instruments where she obtained her master’s license. She currently lives and works in Berlin where she uses her extraordinary talent in a wide spectrum of activities ranging from premiering new compositions, collaborating with other artists and musicians to perform traditional music for koto.
During her residency program in Prague Naoko led a koto workshop and performed with the worldwide known shakuhachi player Jeanem Françoisem Lagrostem, Monika Knoblochova (cembalo) and Marek Kimei Matvija (shakuhachi) during a concert of music by Japanese composers Torua Takemitsua, Makiho Ishiiho, Tadao Sawaie, Yukiko Watanabe and Ichiro Seki.
Steve Cohn (US) 
October 2021
NYC pianist, shakuhachi player, jazzman and improvisor, whose music dramatically evolved over the years.
During his second residency at Neiro, Steve performed together with Annabelle Plum (voice) and Kimei Matvija (shakuhachi) at Free Jazz Festival. The trio and a special guest George Cremaschi (double bass) presented and recorded new compositions within their concert at The Music Academy of Prague where Steve also lectured an Improvised music and extended techniques workshop.
John Kaizan Neptune (US)
September 2021
A legendary shakuhachi player and producer, who reinterpreted the shakuhachi and adapted it for Western music and jazz. Neptune, who is acknowledged to be among the top masters of the instrument in Japan, now lives in Kamogawa, Chiba-ken, where he continues to make, compose for and experiment with the instrument he had adopted as his own.
During his residency, John lectured a shakuhachi playing and a shakuhachi making workshop, where he introduced his unique playing and production techniques. He performed at ISFP 21 festival with the infamous Berg Orchestra and Stratocluster. He also performed as a guest at Japonske dny festival in Ostrava and at the Kozel castle together with the Czech shakuhachi master Marek Kimei Matvija.
Viktor Szeri, Tamás Páll, Gyula Muskovics
November/December 2019
Choreographer Viktor Szeri, multimedia artist Tamás Páll, and curator Gyula Muskovics have all combined to create immersive installations and performances since 2018. Their trans-disciplinary art projects connect contemporary dance with new technologies, poetry and curatorial vision.
The collective is preoccupied with the changing role of the human body and the notion of real experience on the verge of the virtual and the physical reality.
They dedicated their residency to their multimedia performance SUMMIT speculating about dark future scenarios. The latest project by Gyula Muskovics, Viktor Szeri, and Tamás Páll is a collective mourning ritual, a preparation for an unexpected, yet already evident Future Event. The decentralized environment of SUMMIT is based on the combination of new technolgies, dance, and poetry. During the performance the visitors are immersed in the dialogue between the physical present and a virtually existing, yet possible reality.
Jasmin Schaitl
November 2019
Jasmin Schaitl is currently living in Vienna, AT and Wroclaw, PL. She recently started her practice-based PhD at the Academy of Arts and Design, Wroclaw. The main medium of expression in her work is the body in performance, sculpture, drawing and video. She graduated from the University of Applied Arts, Vienna. Since 2011, she has worked as a visual artist and performer; she also organizes and curates interdisciplinary projects. Jasmin shares her approaches to performance also through leading workshops in universities, institutions and performance festivals all over Europe.
Within the field of performance and sculpture, she is researching the connection of, and effect between the haptic sense and the memory. This includes audience involvement, participation and objects/materials that are to be touched. Jasmin examines how durational pieces and intimate one-on-one performance and installation settings affect and change the perception of time and space for an audience.
Rayo Tropical
November 2019
Natasha Padilha and Anna Júlia Amaral (Brazil) are more than 10 years working in performance arts field.
Performance “I Don’t Know How To Explain That You Should Care About The Others” is their current research around identity, migration, affection and failed politics.
Staša Guček
October 2019
Staša Guček is creating connections between various fields of art, technology and sound. She is interested in illustration, analog electronics, bioacoustics, field recordings and grows affinity and care for the world of insects and fragile ecosystems. She is developing custom stand-alone analog electronic instruments and mentoring workshops.
A workshop and a lecture “Nocturnal Animals” took place in NEIRO during Staša’s residency. Under the leadership of the artist, the workshop participants made a musical instrument that tells the story of nightlife, climate change and blind musicians. The workshop was followed by a lecture about her “Nocturnal Animals” project and Staša Guček’s creative process.
Dietmar Ippu Herriger & Tivadar Nemesi
July 2017
Dietmar Ippu Herriger (shakuhachi, alt-saxofon, bass flute and bass clarinet) dedicated his life to the studies of wind instruments in Europe and Japan. He is currently teaching flute, saxophone, clarinet, and shakuhachi play at Leo Kestenberg Music School in Berlin.
Tivadar Nemesi is a percussionist, based in Budapest and Berlin. He plays the legendary Swiss percussion instrument Hang Drum. Tivadar studied photography at Budapest Academy and is an author of many musical and art projects. He also creates film music.
They dedicated their residency to their mutual project MA: In between, Today. The outcome was a concert in an artistic club Zázemí in Bartolomějská street, Prague.
Steve Cohn
June – July 2016
Multi-instrumentalist and a jazz experimentator Steve Cohn, together with Marek Kimei Matvija and Annabelle Plum, recorded and presented new compositions for shakuhachi, experimental voice and quarter-tone piano.